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	<title>Comments on: Modes of the Major Scale</title>
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	<link>http://electricguitarplayer.info/?p=13</link>
	<description>A blog for guitarists</description>
	<pubDate>Fri, 10 Sep 2010 15:58:24 +0000</pubDate>
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		<title>By: Flamenco Dancing Guitar and Cajon Spanish Music &#187; Blog Archive &#187; ElectricGuitarPlayer.INFO » Modes of the Major Scale</title>
		<link>http://electricguitarplayer.info/?p=13#comment-17</link>
		<dc:creator>Flamenco Dancing Guitar and Cajon Spanish Music &#187; Blog Archive &#187; ElectricGuitarPlayer.INFO » Modes of the Major Scale</dc:creator>
		<pubDate>Mon, 04 May 2009 14:51:10 +0000</pubDate>
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		<description>[...] rogerevans wrote an interesting post today onHere&#8217;s a quick excerptPhrygian (III). Playing a C major from E to E gives us an E Phrigian scale; reminiscent of flamenco music and sounding like the natural minor with flatted second &#8230; I recommend alway spending as much time as possible working around the notes of the chord that is being played, or that is trying to be expressed. Tonic notes will almost always produce consistency with a song or piece of music. As guitarist, there is always some room for movement but in the same way a bass &#8230;   Read the rest of this great post here  Posted in Uncategorized on April 20th, 2008 &#124; [...]</description>
		<content:encoded><![CDATA[<p>[&#8230;] rogerevans wrote an interesting post today onHere&#8217;s a quick excerptPhrygian (III). Playing a C major from E to E gives us an E Phrigian scale; reminiscent of flamenco music and sounding like the natural minor with flatted second &#8230; I recommend alway spending as much time as possible working around the notes of the chord that is being played, or that is trying to be expressed. Tonic notes will almost always produce consistency with a song or piece of music. As guitarist, there is always some room for movement but in the same way a bass &#8230;   Read the rest of this great post here  Posted in Uncategorized on April 20th, 2008 | [&#8230;]</p>
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